Lawyers Sue West and Lexis For Selling Lawyers’ Briefs Without Permission

Two lawyers have filed a class-action copy­right infringe­ment suit against West and Lexis/Nexis, the two largest legal research data­base providers, based upon both com­pa­nies’ pro­vi­sion of paid access to copies of motion papers filed in fed­eral and state courts with­out the per­mis­sion of the lawyers who wrote the briefs. [Read more…]

American Buddha: What’s Next?

Zen Slate
Creative Commons License photo credit: Intre­pid Flame
I am head­ing out to Philadel­phia for the NY State Bar Asso­ci­a­tion Fall Meet­ing (dis­cussed here), where I will be speak­ing about the recent Amer­i­can Bud­dha deci­sion in which the New York Court of Appeals held (lim­ited solely to cases involv­ing on-line copy­right infringe­ment of lit­er­ary works) that for the pur­poses of the New York long-arm statute, the harm from such types of infringe­ment occurs where the copy­right own­ers resides.  You always know that a deci­sion is going to be a deusy when the court lim­its the applic­a­bil­ity of the hold­ing like that…  [Read more…]

MP3tunes Summary Judgment Decision: Defendants Only Liable For Specific Songs In Takedown Notice That Were Not Taken Down


Creative Commons License photo credit: Tac Ander­son

The South­ern Dis­trict of New York has issued its rul­ing in the Capi­tol Records v. MP3tunes case, grant­ing par­tial sum­mary judg­ment for each side. The bot­tom line is that MP3tunes and its founder, Michael Robert­son (also the founder of MP3.com), are only liable for the infringe­ment of sound record­ings that were specif­i­cally iden­ti­fied in DMCA take­down notices but not removed from users’ accounts.

One amaz­ing nugget hid­den in the first foot­note of the deci­sion (page 12), is the court’s hold­ing that the DMCA safe har­bor applies to pre-1972 sound record­ings, even though such record­ings are not pro­tected by fed­eral copy­right. This hold­ing, if noticed and fol­lowed by Jus­tice Kap­nick, should destroy the claims brought by UMG Record­ings against Groove­shark in New York State court. UMG brought these claims in state court, lim­ited to com­mon law copy­right infringe­ment for pre-’72 record­ings, as an attempted end-run around the DMCA.

There are lots of other points of inter­est in the deci­sion, which I will get to soon. In the mean­time, I wanted to post the deci­sion as quickly as pos­si­ble for your read­ing enjoyment:

 

Suing For All The Tea In China: Court Exercises Jurisdiction Over Chinese Government And Companies In $2.2 Billion Copyright Infringement Case

166/365
Creative Commons License photo credit: irre­zo­lut

The Cen­tral Dis­trict of Cal­i­for­nia is allow­ing a soft­ware copy­right infringe­ment suit to pro­ceed against the People’s Repub­lic of China and sev­eral Chi­nese cor­po­ra­tions, in which the pleaded copy­right dam­ages exceed $2.2 bil­lion.  The Amended Com­plaint in CYBER­sit­ter, LLC v. Peo­ples Repub­lic of China, the plain­tiff soft­ware devel­oper alleges that large and impor­tant chunks of its Inter­net con­tent fil­ter­ing soft­ware were copies whole­sale by two Chi­nese soft­ware devel­op­ers work­ing in con­junc­tion with the Chi­nese gov­ern­ment, and that China then essen­tially man­dated that every new com­puter sold or dis­trib­uted within China have a copy of the infring­ing “Green Dam” fil­ter­ing soft­ware installed.  [Read more…]

Doctor Doom Prevails: SDNY holds Jack Kirby’s Iconic Contributions to Marvel Comics Characters Were Works For Hire

  Another deci­sion has come out of the SDNY, Mar­vel Wol­rd­wide, Inc. v. Kirby, hold­ing that work com­mis­sioned from an inde­pen­dent con­trac­tor was work made for hire under the 1909 Act.

In this case, comic book indus­try Galac­tus, Mar­vel, filed a declara­tory judg­ment action seek­ing a rul­ing that the Sec­tion 304(c) ter­mi­na­tion notices served by the heirs of leg­endary comic book artist and co-plotter Jack Kirby were invalid.  The work for hire issue is cru­cial in ter­mi­na­tion cases because if work is made for hire, the employer or com­mis­sion­ing party is treated fic­tion­ally as the author in the first instance, and the indi­vid­ual who actu­ally cre­ated the work can never ter­mi­nate any trans­fer to recap­ture copy­right own­er­ship in his or her work.

Kirby, who jointly cre­ated many of Marvel’s great­est char­ac­ters with Stan Lee (includ­ing the Fan­tas­tic Four as shown in the first issue cover by Kirby depicted above), was not an employee of Mar­vel at the rel­e­vant time period, but rather was an inde­pen­dent con­trac­tor, work­ing for 12–14 hours a day and paid on a per-page basis.  There was no writ­ten agree­ment.  Together with Mar­vel edi­tor Stan Lee, Kirby cre­ated sev­eral of Marvel’s most famous (and prof­itable) char­ac­ters, co-writing the sto­ries and draw­ing the artwork.

As noted above, the issue in this case was whether Kirby’s con­tri­bu­tions to the Mar­vel canon were works made for hire under the 1909 Act, and the dis­trict court granted sum­mary judg­ment for Mar­vel, hold­ing that they were. [Read more…]